Bruno Walter Sacred Works Beethoven Mozart Verdi 3 UHQCD Epitagraph JAPAN

Description: Description Bruno Walter Sacred Works Beethoven Mozart Verdi 3 UHQCD Epitagraph JAPANProduct introduction New York era Walter "Legend" live performance - "Misasole", "Moturek" and "Verrek", first appearance in Japan with the highest possible sound quality! A series of live recordings by Epitagraph Label, planned 60 years after Walter's death. After working with Mozart, Brahms, Mahler, and Bruckner, this time, three major religious music collections (1) Beethoven's Missa Solemnis (2) Mozart's Requiem (3) Verdi's Requiem. Beethoven: Missa Solemnis... Mr. Koyoshi Uno has introduced the overseas edition as a representative performance of this masterpiece alongside the Klemperer edition, but "the drawback is that the recording is too bad". This time, it appears that the sound condition is remarkably good! "This is not only one of Walter's best works, but it is also one of the best pieces on the CD, along with Klemperer's. In contrast to the majestic form, Walter's is an extremely dynamic expression that moves the tempo freely. Written by Koho, Kodansha + α Bunko 1995) Also, "Broadcast recording discs remain with good sound. Unfortunately, recently released compact discs with grotesquely distorted sound sources are the sublime performances heard at Carnegie Hall in mid-April 1948. (“Bruno Walter, The Man Who Saw Paradise in Music,” by Eric Riding and Rebecca Petzwski, translated by Yoshiya Takahashi, published by Ongaku no Tomo Publishing, 2015). Disturbances aside, this is one of Walter's best performances: the tenderness exuded in Kyrie, the roaring outburst of jubilation in the stunned Gloria, the powerful conviction of Credo, and the strong conviction of Sanctus. A cradle-shaking blessing, and Agnus Dei, solemnizing the burdens of life and begging for peace, Stieber and Merriman are especially brilliant, and the drama that lets their parts breathe rather than luscious tones. The orchestra and chorus also play a part in the sound of ecstatic joy in dedication to God. His ability to communicate to the musicians of the orchestra and his ability to vary the tempo and draw out a variety of intonations from the singers and orchestra is sometimes breathtaking.” Mozart: Requiem ... On March 10th and 12th, 1956, Walter recorded a session on Columbia Records in the United States to commemorate the 200th anniversary of Mozart's birth, and completed the representative board of this masterpiece, but Carnegie Hall on the 11th. It was performed at the Mozart Festival in During a piano lesson with four soloists (Seefried, Tourel, Simoneau, and Warfield), Walter requested memorization and singing during the performance. Warfield later said in an interview with a magazine that in the actual performance, the quartet was a beautiful piece of music with a cohesive chamber music feel. Good sound. The final applause and cheers are great, and it is a document that shows the popularity of Walter's Mozart at that time. Verdi: Requiem... Walter's only recording, like "Misa Solemnis". Although I have performed it many times, I never had the opportunity to record it. The record of the day became this disc. At the time, some argued that the elderly Walter would not be able to conduct the piece, which included a thunderous chorus, but he said, "There is nothing to suggest that he is no longer able to play coherently and powerfully. His enthusiasm The muffled, rousing voices and often audible instructions to the soloists indicate a human being wholly immersed in the act of playing.--New York Times '59.3.29' (ibid.) "Bruno Walter: The Man Who Saw Paradise in Music") In addition, after singing "Angry Day", Milanov, the soprano part, dropped out due to poor physical condition and was replaced by Kroll, who was a substitute. All three songs have no break from the beginning to the end of the song, and there is applause after the end. Each recorded on one disc. There are some scratches and noise due to reprinting from the broadcast master disc, but it has a clear sound quality that surpasses the conventional overseas discs! It will be the first domestic release. In addition, it will be released as a UHQCD specification, which is the definitive edition of high-quality sound CD! With Japanese translation of the lyrics.Work information MainConductor: Bruno WalterOrchestra: New York Philharmonic othersChorus: Westminster Choir, Metropolitan Opera ChorusSoprano: Eleanor Steber, Irmgard Seefried, Zinka MilanovMezzo-soprano: Nan Merriman, Jenny TourelAlto: Rosalind EliasComposer: Ludwig van Beethoven, Wolfgang Amadeus Mozart, Giuseppe Verdi Contents Number of components | 3 sheets Track Listing 《DISC 1》 Ludwig van Beethoven: Mass in D Major, Op. 123, "Missa Solemnis" Eleanor Steber (soprano) Nan Merriman (mezzo-soprano) William Hayne (tenor) Lorenzo Alvari (bass) westminster choir New York Philharmonic Orchestra [recording] April 18, 1948 Carnegie Hall, New York (live) 《DISC2》 Wolfgang Amadeus Mozart: Requiem in D Minor, K. 626 (completed by F.X. Süssmayr) Irmgard Seefried (soprano) Jenny Tourel (mezzo-soprano) Leopoldo Simoneau (tenor) William Warfield (baritone) westminster choir New York Philharmonic Orchestra [recording] March 11, 1956 Carnegie Hall, New York (live) 《DISC 3》 Giuseppe Verdi: Messa da Requiem Zinka Milanov (soprano) & Heidi Kroll (soprano) Rosalind Elias (alto) Carlo Bergonzi (tenor) Giorgio Tozzi (bass) Metropolitan Opera Orchestra & Chorus [recording] March 29, 1959 Metropolitan Opera, New York (live) Produced by Epitagraph Shipping We will select and ship from FedEx, DHL, Japan Post. Additional shipping charges may be incurred if otherwise specified. Please be sure to contact us before ordering. We will aim to dispatch all orders within 5 days of confirmed payment. Payment We accept only Paypal. About Us If you have any questions, please ask me before purchasing. Terms of Sale Import duties, taxes and charges are not included in the item price or shipping charges. 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Price: 59 USD

Location: Ibaraki

End Time: 2024-11-14T17:08:42.000Z

Shipping Cost: 20 USD