Description: Tracks:Great Big White WorldThe Dope ShowMechanical AnimalsRock Is DeadDisassociativeThe Speed Of PainPosthumanI Want To DisappearI Don't Like The Drugs (But The Drugs Like Me)New Model No. 15User FriendlyFundamentally LoathsomeThe Last Day On EarthComa WhiteThe Dope ShowMechanical AnimalsRock Is DeadDisassociativeThe Speed of PainPosthumanI Want to DisappearI Don't Like the DrugsNew Model No. 15User FriendlyFundamentally LoathsomeThe Last Day On EarthComa White Performer Notes: Marilyn Manson: Marilyn Manson (vocals, vocoder, guitar, ARP synthesizer); Twiggy Ramirez (guitar, bass, synthesizer); John5 (guitar); M.W. Gacy (piano, Mellotron, keyboards, synthesizer); Ginger Fish (drums).Additional personnel: Zim Zum (guitar, beinhorn, synthesizer); Dave Navarro (guitar); Danny Saber (strings, Clavinet, programming); DJ Neil Strauss (scratches); Kobi Tai, Dyanna Lauren, John West, Lyn Davis, Nikki Harris, Alexandra Brown (background vocals).Producers: Michael Beinhorn, Marilyn Manson, Sean Beavan."The Dope Show" was nominated for the 1999 Grammy Award for Best Hard Rock Performance.Personnel: Marilyn Manson (vocals, piano, synthesizer, ARP synthesizer, vocoder, background vocals); Ginger Fish (vocals, vocoder, drums); Rose McGowan (vocals); Zim Zum (guitar, acoustic guitar, keyboards, guitar synthesizer); Twiggy Ramirez (guitar, acoustic guitar, electric bass); John 5 (guitar); Madonna Wayne Gacy (piano, Mellotron, keyboards, synthesizer, drums, shaker, sampler); Danny Saber (keyboards); Sean Beavan (programming); Alexandra Brown, Kobi Tai, Nikki Harris, John West, Lynn Davis (background vocals).Audio Mixer: Tom Lord-Alge.Recording information: Conway Studios; Westlake; White Room.Editor: Sean Beavan.Photographers: Joseph Cultice; Marilyn Manson.Antichrist Superstar performed its intended purpose -- it made Marilyn Manson internationally famous, a living realization of his fictional "antichrist superstar." He had gained the attention of not only rock fans, but the public at large; however, many critics bestowed their praise not on the former Brian Warner, but on Trent Reznor, Manson's mentor and producer. Surely angered by the attention being focused elsewhere, he decided to break from Reznor and industrial metal with his third album, Mechanical Animals. Taking his image and musical cues from Bowie, Warner reworked Marilyn Manson into a sleek, androgynous space alien named Omega, ? la Ziggy Stardust, and constructed a glammy variation of his trademark goth metal. With pal Billy Corgan as an unofficial consultant and Soundgarden producer Michael Beinhorn manning the boards, Manson turns Mechanical Animals into a big, clean rock record -- the kind that stands in direct opposition to the dark, twisted industrial nightmares he painted with his first two albums. It can make for a welcome change of pace, since his glammed-up goth is more tuneful than his clattering industrial cacophony, but it lacks the cartoonish menace that distinguished his prior music. ~ Stephen Thomas Erlewine Professional Reviews: Rolling Stone (10/1/98, pp.65-66) - 3.5 Stars (out of 5) - "...Its ultimate sources are the goths: Bauhaus, Love and Rockets, and early Cure...[it] gets its cavelike spaciousness from these influences and tweaks them with an industrial crunch, an arena-rock guitar solo or a soulful backing vocal..." Spin (1/99, p.91) - Ranked #7 on Spin's list of "Top 20 Albums of '98." Entertainment Weekly (9/18/98, pp.84-85) - "...there is something deeply outrageous about MECHANICAL ALBUMS: It's a Manson album that delivers on music as much as on image....Looking back in mascara'd anger, Manson and Beinhorn have fashioned music steeped in glam rock and concept-album bombast but updated with a crunching intensity..." - Rating: A- Entertainment Weekly (9/18/98, pp.84-85) - "...there is something deeply outrageous about MECHANICAL ALBUMS: It's a Manson album that delivers on music as much as on image.... Looking back in mascara'd anger, Manson and Beinhorn have fashioned music steeped in glam rock and concept-album bombast but updated with a crunching intensity..." - Rating: A- CMJ (1/11/99, p.3) - "...The epic glam rock of MECHANICAL ANIMALS is drenched in evil overtones and possesses a power and complexity that drowns out the roar of knee-jerk press hype..." Format: CD (1 Disc); Stereo Country: USA Studio/Live: Studio Guest Artist: Billy Corgan; The Dust Brothers; Danny Saber; Dave Navarro Release Date: 15 September, 1998 Label: Nothing Dimensions: 17.8 x 1.2 x 14.3 centimeters (0.06 kg)
Price: 8.95 GBP
Location: Gloucester
End Time: 2025-01-23T01:34:37.000Z
Shipping Cost: 16.13 GBP
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EAN: 0606949027322
UPC: 0606949027322
ISBN: N/A
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Track #1: Great Big White World
Track #2: The Dope Show
Track #3: Mechanical Animals
Track #4: Rock Is Dead
Track #5: Disassociative
Track #6: The Speed Of Pain
Track #7: Posthuman
Track #8: I Want To Disappear
Track #9: I Don't Like The Drugs (But The Drugs Like Me)
Track #10: New Model No. 15
Track #11: User Friendly
Track #12: Fundamentally Loathsome
Track #13: The Last Day On Earth
Track #14: Coma White
Track #15: The Dope Show
Track #16: Mechanical Animals
Track #17: Rock Is Dead
Track #18: Disassociative
Track #19: The Speed of Pain
Track #20: Posthuman
Track #21: I Want to Disappear
Track #22: I Don't Like the Drugs
Track #23: New Model No. 15
Track #24: User Friendly
Track #25: Fundamentally Loathsome
Track #26: The Last Day On Earth
Track #27: Coma White
Language: English
Era: 1990s
Run Time: 3757 Sec
Format: CD
Release Year: 1998
Features: Studio Recording
Genre: Pop, Alternative, Rock
Style: Heavy Metal
Type: Album
Artist: Marilyn Manson
Record Label: Interscope / Nothing / Polydor
Release Title: Mechanical Animals